LIVERPOOL DOCKS
Category: Land + PeopleWe made for the docks. I had seen these docks before, but oddly enough, although I have sailed to or from Hull, Goole, Harwich, Tilbury, the Pool of London, Dover, Folkestone, Newhaven, Southampton, Plymouth, and Avonmouth, I have never either arrived at or departed from this port of Liverpool. Nor am I sorry, for they have always seemed to me most gloomy docks. That romance of the sea, about which we have always heard and read so much, has to set its opening chapter in some very dismal quarters of this country. Trams going whining down long sad roads; a few stinking little shops; pubs with their red blinds down and an accumulation of greasy papers under their windows; black pools and mud and slippery cobblestones; high blank walls; a suspicious policeman or two; that is usually the opening scene.
You see it in London. You see it in Liverpool, miles of it. Docks and slums, docks and slums. We are an island people; even yet we owe nearly everything to the sea; our foodstuffs are brought in ships and our manufactures are taken away in ships; but when you visit most of our larger ports you see nothing but slums. “Welcome!” we cry to the sailor, and immediately make him free of Wapping, London, and Wapping, Liverpool. If there is anything to choose between these two Wapp- ings, the London one has it. I caught a glimpse of the other that afternoon. We reached the docks, put out our pipes and entered their precincts, where a vast amount of gloom and emptiness and decay was being carefully guarded. It was deep dusk: There were some last feeble gleams of sunset in the shadowy sky before us. Everything was shadowy now. The warehouses we passed seemed empty of everything but shadows. A few men — far too few — came straggling along, their day’s work over. We arrived at the edge of the Mersey, and below us was a long mudbank. The water was a grey mystery, a mere vague thickening of space. Something hooted, to break a silence that immediately. closed up afterwards to muffle the whole spectral scene. We walked slowly along the water-front, from nothing, it seemed, into nothing; and darkness rose rather than fell; and with it came a twinkle of lights from Birkenhead that reached us not across the river but over a gulf that could not be measured.
I have rarely seen anything more spectral and melancholy, ft was’ hard to believe that by taking ship here you might eventually reach a place of sharp outlines, a place where colour burned and vibrated in the sunlight, that here was the gateway to the bronze ramparts of Arabia, to the temples and elephants of Ceylon, to flying fish and humming birds and hibiscus.
(From English Journey by J. B. Priestley)